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Laurier House National Historic Site

335 Laurier Avenue East, Ottawa, Ontario K1N 8A2, Canada

Ontario, Canada

MUSEUM

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​PARKING:

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RESTROOMS:

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HOME

EST. 1878

EST. 1878

1878

HISTORIC PEOPLE WHO WERE HERE

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HISTORIC PRESERVATION at Laurier House National Historic Site.

The Victorian house survives with much of its original furnishings and interiors preserved from its use as the residence of two Canadian prime ministers, Wilfrid Laurier and William Lyon Mackenzie King. It is administered by Parks Canada as a National Historic Site. The house is open to the public on a seasonal, ticketed basis.

About Laurier House National Historic Site

Laurier House was built in 1878 and became the Ottawa residence of Sir Wilfrid Laurier, Canada's seventh prime minister, from 1897 until his death in 1919. His widow bequeathed it to Mackenzie King, who lived there during his own premiership and left it to the nation. The house preserved the personal legacy of two Canadian prime ministers.

HISTORY HAPPENED HERE at Laurier House National Historic Site

Laurier House stands in Ottawa’s Sandy Hill neighborhood and preserves the overlapping domestic worlds of two Canadian prime ministers, Sir Wilfrid Laurier and William Lyon Mackenzie King. Built in 1878 for John Leslie, the substantial residence originally belonged to the expanding capital’s prosperous residential landscape. Laurier and his wife Zoé moved there in 1897, after he became prime minister. The house was their private residence, not an official home assigned automatically to the holder of that office. Its later political associations grew from personal ownership and inheritance rather than an original government building program.

Laurier served as prime minister from 1896 to 1911 and continued as Liberal leader afterward. His Ottawa household provided a setting for entertaining, discussion, and the social obligations surrounding political life. Zoé Laurier helped shape that environment and maintained relationships that mattered within the capital’s social world. Domestic rooms therefore stood close to the informal side of government, although major decisions cannot simply be attributed to the house without evidence. The building allows public biography to be considered alongside hospitality, family routines, possessions, and the work needed to sustain a prominent household.

After Laurier’s death in 1919 and Zoé’s in 1921, the house passed to Mackenzie King through her bequest. King retained the association with Laurier and adapted the property to his own habits, collections, and political activities. An upper-floor study became an important working space. Across his long periods as prime minister, the residence received distinguished visitors and functioned as a private setting for exchanges connected with public affairs. King’s possessions also reflected intense attachments to family and personal memory, giving the interiors a character different from that of a formal government office.

The surviving household material should be understood as a collection accumulated and arranged over time. Objects associated with Laurier coexist with furnishings and memorabilia linked to King, while servants’ work and service spaces reveal how the residence operated. The scale of the house depended on cooking, cleaning, maintenance, and careful organization behind the public rooms. Its history includes those employees as well as its famous owners. The two prime ministers’ careers also reached into contentious national questions, including immigration, war, and relations among communities, whose consequences extended far beyond the comfortable setting of their home.

King died in 1950 and left Laurier House and much of its contents to the Canadian people. Legislation in 1951 established the framework for its preservation and public use. The resulting historic site offers unusually rich evidence of the personal surroundings of national political leadership. It is most informative when treated neither as a frozen moment nor as a neutral portrait of government. Architecture, collections, room arrangements, and documentary research together connect private life with public power, while the transition from residence to museum reveals how Canada chose to commemorate two influential and complex political figures.

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