Great Fire of London Monument
London, England
Monument to the Great Fire of London, Fish Street Hill, City of London, Greater London EC3R 8AH, England
MONUMENT
VISITOR INFORMATION
TICKET REQUIRED
Climbing the monument means 311 steps up a narrow spiral staircase. There are no restroom facilities and no dedicated parking in this dense city location.
Open daily, 9:30 to 13:00 and 14:00 to 18:00 (last entry 12:30 and 17:30). Admission to climb is GBP 7 for adults and GBP 3.50 for children.
Peak visitation season unconfirmed. No reliable site-specific monthly attendance pattern was established.
May-June or September for the Great Fire Monument in generally mild London weather. Check same-day opening alerts and allow time for the stair climb within the published admission windows.
OFFICIAL WEBSITE
TICKET INFORMATION
HISTORIC SITES NEARBY
Nearby Historic Sites
miles
Landmark

WHO WAS HERE
0
PEOPLE WHO LIVED HERE
About Monument to the Great Fire of London, City of London
The Monument was built between 1671 and 1677 to commemorate the Great Fire of London of 1666, under the design of Christopher Wren and Robert Hooke. Its height marks the distance to the bakery on Pudding Lane where the fire began. Hooke also used its hollow shaft for scientific experiments, including studies of gravity and pendulum motion.
The Monument survives as its original Portland stone Doric column, topped with a gilded urn of flames, along with an internal spiral staircase leading to a viewing platform. It is owned and managed by the City of London Corporation and is a Grade I listed building.
History happened here at Monument to the Great Fire of London, City of London
The Monument commemorates the Great Fire of London, which began near Pudding Lane on 2 September 1666 and burned across much of the City. Thousands of houses, churches, warehouses, and civic buildings were destroyed, though the recorded death toll was small and may underrepresent vulnerable residents. Reconstruction reshaped streets, building regulation, property, and the skyline.
Parliament authorized a memorial, and Christopher Wren and Robert Hooke designed the great fluted Doric column built between 1671 and 1677. Its height—202 feet—was traditionally related to the distance from its base to the site where the fire began. A gilded flaming urn crowns the column, while inscriptions and relief sculpture present destruction, royal authority, and civic recovery.
The hollow shaft and basement also reflected the scientific interests of Wren and Hooke. Plans considered using the column for astronomical and gravity experiments, although vibration and surrounding conditions limited its effectiveness. A spiral stair allowed access to the viewing platform, turning the memorial into both an urban landmark and an early public observation point.
An inscription later blamed Roman Catholics for starting the fire, reflecting the anti-Catholic politics of the late seventeenth century rather than evidence about the disaster. The accusation was removed in the nineteenth century. Suicides and accidents led to the installation of a protective cage around the platform, another example of how use altered the monument after its completion.
The Monument remains a memorial, viewpoint, and work of architecture embedded in a dense modern city. Conservation must manage pollution, water, stone, metalwork, vibration, fire safety, and visitor circulation. Interpretation should explain rebuilding, displacement, insurance, labor, and political scapegoating as well as heroic civic recovery, showing that monuments record the values and prejudices of their makers. Preservation must treat changes of use and later repair as part of the history rather than automatically removing them to recover one preferred period. Architecture, objects, archives, archaeology, and oral testimony together can restore people who appear only faintly in official narratives, including builders, servants, tenants, prisoners, workers, women, children, worshippers, and nearby residents. Continued use often supports maintenance, but lighting, accessibility, fire protection, events, climate control, and exhibitions must remain compatible with fragile fabric. Clear interpretation should distinguish original material, reconstruction, tradition, and commemorative meaning. Documenting every intervention allows future conservators to understand today's choices and revise them without losing irreplaceable evidence. Continued study should connect the celebrated features with the wider social and environmental systems that sustained them, ensuring that preservation records evidence of everyday life as carefully as monuments, rulers, and later legends. That broader context remains essential to responsible interpretation and long-term care across changing generations and disciplines.
PEOPLE WHO DIED HERE
PEOPLE AT REST HERE
EXTERNAL LINKS
themonument.org.uk: https://www.themonument.org.uk/history
nationalarchives.gov.uk: https://www.nationalarchives.gov.uk/education/resources/great-fire-of-london-examine-the-evidence/monument-to-the-fire-of-london-1677/
The operator and National Archives date construction of the Monument to 1671–1677, commemorating the fire of September 1666 and subsequent rebuilding. Wren and Hooke were involved in its design. The row's 1666 dates the disaster, not the column. The current visitor experience includes a stair climb to its viewing platform.
Accessed 2026-09-30

