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Anne Frank House

Prinsengracht 263-267, Amsterdam, North Holland 1016 GV, Netherlands

North Holland, Netherlands

MUSEUM

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EST. 1635

EST. 1635

263

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HISTORIC PRESERVATION at Anne Frank House.

The building preserves the canal house at Prinsengracht 263, including the Achterhuis, or secret annex, with its original movable bookcase entrance, though the rooms themselves are left largely unfurnished as they were found after the war. It is maintained by the Anne Frank Stichting, a nonprofit foundation, as a historic house museum with an attached modern exhibition wing. Access is by ticketed, timed entry only.

About Anne Frank House

Otto Frank moved his business into the canal house at Prinsengracht 263 in 1940, and its rear annex became a hiding place under German occupation and persecution of Jews. From July 1942, the Frank and van Pels families hid there for 761 days, aided by employees including Miep Gies. Anne Frank's diary became a widely read Holocaust account.

HISTORY HAPPENED HERE at Anne Frank House

The Anne Frank House at Prinsengracht 263 preserves the Amsterdam premises where Anne Frank, her family, and four other Jews hid during the German occupation of the Netherlands. The canal house and its rear annex were older buildings adapted for business use. Anne’s father, Otto Frank, moved the offices and warehouse of his companies Opekta and Pectacon there in 1940.

Nazi Germany invaded the Netherlands in May 1940. Anti-Jewish measures progressively excluded Jews from schools, professions, public places, and economic life. Deportations began in 1942 under the fiction of labor assignments. When sixteen-year-old Margot Frank received a summons on July 5, the family entered the prepared hiding place the next morning, earlier than planned.

Otto, Edith, Margot, and Anne Frank occupied rooms behind and above the business premises. Hermann, Auguste, and Peter van Pels joined them a week later, and dentist Fritz Pfeffer arrived in November. A hinged bookcase built by Johan Voskuijl concealed the entrance. Employees Miep Gies, Jan Gies, Johannes Kleiman, Victor Kugler, Bep Voskuijl, and others supplied food, news, books, and practical support at enormous personal risk.

The eight people lived in hiding for 761 days. During working hours they had to avoid noise that might alert warehouse staff or neighbors. Shortages, confinement, fear, and interpersonal tensions shaped daily life. Anne, who had received a diary for her thirteenth birthday, recorded these conditions and her own intellectual development. After hearing a radio appeal to preserve wartime documents, she began revising her writing for possible publication.

On August 4, 1944, German security police and Dutch officers raided the building and arrested the eight people in hiding, as well as Kleiman and Kugler. The precise reason for the raid remains unproven. The prisoners were sent through Westerbork to Auschwitz. Anne and Margot were later transferred to Bergen-Belsen, where they died in early 1945. Otto Frank alone among the eight survived the Holocaust.

Miep Gies and Bep Voskuijl recovered Anne’s papers after the arrest. Otto published a Dutch edition in 1947, and translations made the diary internationally known. When redevelopment threatened the building, public campaigners founded the Anne Frank House organization. The museum opened on May 3, 1960. At Otto’s request, the Annex remained largely unfurnished, its emptiness serving as evidence of absence. Conservation now protects the building, manuscripts, bookcase, photographs, and traces of use while exhibitions place Anne’s individual voice within the Nazi persecution and murder of six million Jews.

The house’s fame creates ethical responsibilities. Anne’s diary is an extraordinary testimony, but it cannot stand for every Holocaust experience or obscure the other seven people in hiding, their helpers, and the millions whose voices were not preserved. Museum research has corrected rumors, tested physical evidence, and resisted unsupported claims about who disclosed the hiding place. Timed admission and new visitor facilities reduce pressure on narrow rooms, while conservators monitor paper, photographs, plaster, furniture, and the chestnut-tree imagery associated with Anne’s writing. The site also confronts contemporary antisemitism, racism, and dictatorship through education. Its power comes from the relationship between a specific ordinary workplace, the hidden domestic space behind it, and a young writer’s surviving words.

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